Wednesday, February 10, 2010

In the Ring : Progress Images : Updated 01:20:10

This painting is 20"x24"



The drawing in progress with one of my reference photos.



I transfered the image to the canvas and began blocking in shapes.



More coverage. Looking kinda freaky at the moment. Almost like a ghostly biblical scene, but the piece is about child prostitution.



Glaze over the tree, and adding pattern to their clothes. I am not sure how I want them to look exactly. I know they won't be this brightly colored, but we shall see.



Ok, right now it looks like a cracked out Wonka's factory, but I am pretty sure it will get more subdued as it goes. We shall see!



Gash (aka Burger, Mashy Man, etc.) chillin' in the studio.



Starting to play around with the sky. Not really sure what I am doing with it since this is the only part of the design not planned out in the drawing phase. How about some happy little clouds?



Continued to develop the clouds and sun ring. Adding color to the interior of the jar to separate it from the background. I want to make sure the viewer interprets the interior as a "negative" environment, so the colors are going to be dirty.



Referencing a photo that I took in DC of a Chinese lacquer box, there will be a flower ball design in those floating orbs in the sky. Here they are just blocked in with blue for placement.



Added flower pattern to balls with purple. Good night and big balls...



After adding some blues and yellows to the balls, I went back in with white to make them pop. Also lightening the skyline and hazing out some of the clouds to get more depth.



Detail of balls in progress.



Been focused on making the tree come together. Starting work on the mushrooms soon.



Working on mushrooms in general, by fixing shapes and base colors.



Close-up of detail work in lower right corner. Still figuring out how I want the shrooms to look.



More changes to the shrooms. Just not sure where they are going, so I am going to leave them be for now and move on to the interior of the jar.



The mushrooms continue to plague me. I have an idea of what I want, "little gems," but not really sure how to make them the way I want. Starting to play more with the lighting as it is coming from behind.



Working some brights back into the shrooms. Playing more with the colors.



Brightened the background in the jar to make the shadowy girls pop a bit more. Really liking that effect.



Decided to abandon the shrooms for a few and focus on the contents of the jar, mainly the girls. Maybe if I have a better idea of how they interact in the space, the shrooms will start to make sense.



Starting the second girl.



Got her limbs blocked in and corrected some anatomy issues. Just to clarify, in case it is not obvious yet, these girls are dolls, hence the joints.



I kept looking at the girls with their sticks and wondering why the heck they had them. My initial thought with the presence of the sticks was to represent the question "Why?" by having them shaped as "Y"s but beyond that, who the heck knows. Then, after a conversation with my husband, it came to me...



There needed to be some creatures in the jar, so out came the snake, monkey...



and the cock. Real subtle, I know. ;)



The animals are blocked in after being transfered.



Blocking in details on the animals.



Working on lighting. I wanted the figures to be lite from behind so their faces are in shadow and they are glowing. Need to build up patterns now.



Detail of girls in progress.



I wanted the girls to look like they were being lit from behind, but ended up making them look like they were residing in the shadows.



I watched a TED lecture about the sex slave trade and realized that my image was way too safe for the scenario I was trying to present. I finally decided that the main problem was too much clothing. They needed to seem vulnerable and it also needed to be clear that they were dolls, so off came the clothing.



Starting to develop the doll shapes.



I finally broke down and took out one of the girls. She was getting lost in the composition and flattening the interior of the space. I am also bringing the "balloons" down into the lower portion of the piece.



The tree starts to take shape...again.



Planning to change the color of the shrooms and develop the girls more. The bubbles had to come down so the canvas was not divided in half. Much better.



The pinks and purples are working better than the orange/red shrooms. Also tweaking the shapes as I go.



Worked on the girls yesterday. Finally realized that the small brush I was using was not small enough. Love their faces now!

Tuesday, May 5, 2009

©POP Gallery Opening 05:02:09



Me standing in front of "Artemisia, Artis Magistra (Mistress of Art)" by Isabel Samaras. I have admired her work for a very long time, but this was the first time I got to see one in person. Now I am even more enamored with her work and super excited to get her book, "On Tender Hooks."



Someone, NOT US, used the H.R. Giger ped as a resting spot for his beer, but we thought it was a perfect opportunity to show the scale of the piece.



Taking a bite out of ©POP! Just a sampling of the tasty treats provided. I also was a big fan of the edible shots in chocolate shot glasses.



Cheers! Great local brew by Motor City Brewery. REALLY good stuff!



Mark says "Hang Loose!" Fred says "???"



Mark and Jen in all her beautiful, baby glory!



"Blind Faith" next to Bask.



Colin and Jen using 3D glasses to check out a seriously freaky Eric White, 3D print.



Tom Thewes and The Pizz in front of The Pizz's piece, but close enough to spit on mine! Yes, I am a stalker photographer.



Amazing prints by Shepard Fairey.



My fav piece by Tom Thewes.



Mark's fav piece by Tom Thewes. "BÄDguys"



Work by Glenn Barr. Even more amazing in person! Got to see him, his wife and daughter, but too chicken to say hi. Gotta work on that. :)



©POP Gallery already has new occupants.



Winner for best signature, Laura Bernhard. (Her work is amazing too!)



Drooling over, around and under the work of Stephanie Henderson. "Non Omnis Moriar"



Ended the night with my head "deep inside" Jerry Vile. It smelled nice! Haahaa!

Friday, March 13, 2009

March News


HELLO!

VIDEO: Exciting news! Remember the 3 second teaser for "Weevil?" Well, now you can view the full, high res version on my site or the low res version on YouTube. I already have plans to make another video using everything we learned during the making of this vid, so it should be even better! Many thanks to my amazing husband for his help and his MUSIC!

CD RELEASE PARTY: David E. Williams released his newest album, Every Missing Duck is a Duck Missed on Friday, February 28th in Philly. Check out his myspace blog for more info on the event. This is my second CD cover, Sleepybird's All Things Are Mine being the first. I am thrilled to be a part of both band's success. David's Cd is being reviewed in the UK's online zine called, Judas Kiss. Check back for the complete review, but get your dictionaries open and check out this lovely review of my work by Simon Collins...

"The cover artwork of Duck…’s digipack sleeve is by Amy Kollar Anderson. It’s a disturbingly detailed image of a seedy anthropomorphic duck in 60s psychedelic hipster drag, clutching a bottle of writhing worms, and it’s brilliant, even if I must admit to having pedantic ornithological reservations about the shape of the duck’s beak."

NEW MEMBER: I am a new member of two groups on DeviantArt, Painters, and Dark Art Asylum.

CURATE: In February, I worked with the Dayton Area MetroParks, during their Adventure Summit on a project called ARTventure. The gallery in the Student Union at Wright State was filled with amazing art inspired by nature. I am planning to help with this event next year, but create a call for entries, and open the event to more of the community. Check out pics from the event on my Lowdown page.

COMMUNITY: Do you like SALVADOR DALI? If you are in the Dayton area on Saturday, March 14th, Join us for the grand closing "Dali Costume Ball" (benefit for Justin King) @ 7 Timbers (next to second street market) on 32 Webster St. Dayton, OH from 8pm to midnight. For only $10, you not only get to view some rare Dali lithographs, you get entertained by Dayton's amazing band, Sleepybird, and a performance by the Zoot Theatre Company. Do some anonymous people watching from behind your Dali inspired costume, drink and be merry all while helping out Justin King. This benefit event will help Justin, who suffers from Cystic Fibrosis and is in need of a liver and double lung transplant.

Have a great weekend!

Amy Kollar Anderson
www.KollarAnderson.com

Tuesday, January 27, 2009

My painting on a CD by David E. Williams!



Check out "Worm Wine" on the cover of "Every Missing Duck is a Duck Missed" by David E. Williams! Give it a listen, and purchase it from his site. Good stuff!!!

“Tragedy renders the monster human. Williams' 5th full length release is decidedly his most eclectic. Largely inspired by the grief and futility following the illness and death of his girlfriend, the album veers from somber piano ballads to nostalgic pop to at least one grandiose epic with virtuoso live drums, odd time signatures and dissonant tone clusters (while still remaining catchy!) Longtime cohort Jerome Deppe gets the longest guitar solo of his career as well as his VERY FIRST harmonica solo (in the deceptively titled hoedown "Kill Yourself in Cape May"). There are also 4 cover tunes and a witty Zevonesque take on the life of Idi Amin. A local and national cast of musical luminaries* fleshes out the sound of David at his most organic and confessional.”

Tuesday, January 13, 2009

No Ifs or Ands : Analyzed

This painting is 18" x 22" and approx. 120 hours.



I created this set-up for the reference photo using the same doll and beetle from “My Best Friend.”



A quick sketch to get the placement.



Blocking in color. Trying some new Nova Color Paints. Emerald (pearlescent) in the background, Portrait Tone on the skin, and (I think) Indanthrone Blue on the ground.



Adding a “wash,” well, more of a scrap of blue over the emerald background, and defining some of the shapes and shadows.



Blocking in more color. At this point it is basically a play of complimentary colors. Mapping out the grid on the floor.



A fun chrysanthemum pattern in the background. I really like that element to the painting. The bold pattern gives the piece a lot of movement and energy.



Adjusting the flesh tones, added a little nose because his head didn’t seem to be facing the bug, and a vital part of the concept was the interaction between the doll and the bug. The basic idea was this bug lecturing the doll and telling him no “Ifs, ands, or buts!” This is a perfect example of my kooky sense of humor.



Oh, the dots…They really added a lot of texture to the background, and I really liked how the metallic emerald and the blue glimmer through the green dots, but man, those took a crazy amount of time, and I had to go over them several times to get the color built up to the level I liked.



I wanted the flowers to pop out a bit more, so I added an outline of metallic pink.



Gash and Ti hanging out with the painting in the studio.



Bringing some more color and reflections to the glass, and blocking in the ground tiles better.



I wasn’t so sure about the zebra coral pattern at first, but with a few glazes, I began to really like the effect. Also fixed some of the rocks in the jar to give them more volume.



Defining the jar more. As I have stated before, I have never been one for straight lines or perfect angles, but I enjoy a challenge, plus I think they are wonder metaphoric tools. Every time I work on one of the jars, it is a new adventure. In hindsight, I wish I had left the jar at this level, but I kept playing with the idea of a beveled glass, which I am happy with, but I think this phase was really nice and clean.



Baby boy get a pattern inspired by cherry blossoms. I love mixing the different patterns. I am trying to keep a balance between just enough and too much under control.



I had just picked up a jar with beveled edges at the thrift store, so I had bevels on the brain, but it created a whole lot of chaos. The addition of the plants soften the tiles and encourage the eye to move upward.



Still dealing with the glass. Adding details to everything.



The vine seemed like the perfect solution to hide a bit of the bevel craziness and add color and movement to the piece. I think it really makes a huge difference.



Getting rid of some of the flat, white glass, and fixing the details on the vine.

View the finished piece No Ifs or Ands

Saturday, November 15, 2008



VIDEO:I am currently working on a submission for theThe Dirty Show X in December. Instead of just photographing the progress, Mark (and Proffit!) helped me set up the video camera so the entire process will be documented. Right now, I only have about 10 seconds worth of video, but I am really excited to see it all come together. Check this SUPER QUICK, 3 second teaser on YouTube.

PURSES: If you are in Dayton, check out the Art to Buy gift gallery at the Dayton Visual Arts Center. I am selling my painted purses there until December 18. Lots of great x-mas ideas from talented local artists.

ARTICLES:If you missed the show, Under Glass,I have some excellent REVIEWS by Jud Yalkut and Pam Dillon on my site.

IN PROGRESS:In addition to the piece for the Dirty show, I have three new Vivarium pieces in the works; Cultivate, Chain of Events, and The Ups and Downs of Death.

Saturday, August 16, 2008

Gallery Exhibit



I will be showing the new Vivarium Paintings, some drawings, and a few surprises...

The opening is September 5, 2008
5pm-10pm

Goloka Gallery: Oregon Division
523 Fifth Street
Dayton, OH 45402


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